Oscars: Document 93 Countries Put up Entries for Best International Characteristic Movie – Diversity
October 7, 2019 12:36PM PT A record-breaking total of 93 countries have submitted entries to be considered for best international film nominations at the Academy Awards. The Academy announced the full list of eligible films and countries on Monday. Ghana, Nigeria and Uzbekisztan are competing for the first time in the category, which was previously…

A document-breaking complete of 93 countries get submitted entries to be regarded as as for ultimate international movie nominations at the Academy Awards.

The Academy launched the corpulent listing of eligible movies and countries on Monday. Ghana, Nigeria and Uzbekisztan are competing for the main time within the class, which changed into previously is named the correct international-language movie class.

The old high for submissions changed into Ninety two in 2017.  A filled with 87 movies had been submitted final twelve months. Alfonso Cuaron’s “Roma” won the class this twelve months, becoming the main Mexican entry to salvage the award.

High-profile entries consist of South Korea’s “Parasite,” Bong Joon Ho’s dusky comedy which won the Palme d’Or at the Cannes Movie Pageant; Spain’s “Trouble and Glory” from Pedro Almodovar with Antonio Banderas starring as a movie director; Japan’s “Weathering With You,” the country’s first interesting entry since “Princess Mononoke”; Senegal’s “Atlantics” from director Mati Diop, winner of the Monumental Prix at Cannes; France’s “Les Miserables”; the UK’s “The Boy Who Harnessed the Wind,” from Chiwetel Ejiofor; and Norway’s “Out Stealing Horses,” starring Stellan Skarsgard.

Also essential among the in relation to 100 titles is “Papicha,” Algeria’s legitimate entry. The movie hails from the Muslim-majority country, and tells of a rebellious group of younger ladies who are trying to stage a system point out rejecting the hijab. The movie, directed by Mounia Meddour, changed into banned from screening within the country, a transfer many reported changed into an act of political suppression on behalf of the executive.

Academy principles direct any submission for ultimate international feature must cowl for a minimal of seven days in its country of starting place. The inclusion of “Papicha” on the Monday listing skill that AMPAS granted the movie an exception and must enable it to compete.

Meddour obtained the factual files moments after leaving the French premiere of “Papicha,” which additionally screened on this twelve months’s Un Obvious Regard lineup at Cannes.

“We’re moral out, my actresses and I, of our Parisian premiere of ‘Papicha’ and we’re extremely delighted and grateful in the direction of the Oscars committee for accepting our candidacy in spite of the Algerian delivery cancellation, and thanks to the this reality encouraging world cinema, ladies directors and freedom of introduction,” the director stated.

The shortlist of 10 movies might perhaps be launched on Dec. 16. The shortlist changed into expanded this twelve months from nine. Nominations for the 92nd Oscars might perhaps be launched on Jan. 13. The Oscars might perhaps be presented on Feb. 9.

The 2019 submissions, listed in alphabetical expose by country, are:

Albania, “The Delegation,” Bujar Alimani, director;


Algeria, “Papicha,” Mounia Meddour, director;


Argentina, “Fearless Losers,” Sebastián Borensztein, director;


Armenia, “Prolonged Night,” Edgar Baghdasaryan, director;


Australia, “Buoyancy,” Rodd Rathjen, director;


Austria, “Pleasure,” Sudabeh Mortezai, director;


Bangladesh, “Alpha,” Nasiruddin Yousuff, director;


Belarus, “Debut,” Anastasiya Miroshnichenko, director;


Belgium, “Our Moms,” César Díaz, director;


Bolivia, “I Mosey over You,” Rodrigo Bellott, director;


Bosnia and Herzegovina, “The Son,” Ines Tanovic, director;


Brazil, “Invisible Existence,” Karim Aïnouz, director;


Bulgaria, “Ága,” Milko Lazarov, director;


Cambodia, “In the Existence of Music,” Caylee So, Sok Visal, directors;


Canada, “Antigone,” Sophie Deraspe, director;


Chile, “Spider,” Andrés Wood, director;


China, “Ne Zha,” Yu Yang, director;


Colombia, “Monos,” Alejandro Landes, director;


Costa Rica, “The Awakening of the Ants,” Antonella Sudasassi Furniss, director;


Croatia, “Mali,” Antonio Nuic, director;


Cuba, “A Translator,” Rodrigo Barriuso, Sebastián Barriuso, directors;


Czech Republic, “The Painted Bird,” Václav Marhoul, director;


Denmark, “Queen of Hearts,” Could maybe presumably simply el-Toukhy, director;


Dominican Republic, “The Projectionist,” José María Cabral, director;


Ecuador, “The Longest Night,” Gabriela Calvache, director;


Egypt, “Poisonous Roses,” Ahmed Fawzi Saleh, director;


Estonia, “Reality and Justice,” Tanel Toom, director;


Ethiopia, “Running in opposition to the Wind,” Jan Philipp Weyl, director;


Finland, “Dreary Young Coronary heart,” Selma Vilhunen, director;


France, “Les Misérables,” Ladj Ly, director;


Georgia, “Shindisi,” Dimitri Tsintsadze, director;


Germany, “Machine Crasher,” Nora Fingscheidt, director;


Ghana, “Azali,” Kwabena Gyansah, director;


Greece, “When Tomatoes Met Wagner,” Marianna Economou, director;


Honduras, “Blood, Passion, and Coffee,” Carlos Membreño, director;


Hong Kong, “The White Storm 2 Drug Lords,” Herman Yau, director;


Hungary, “These Who Remained,” Barnabás Tóth, director;


Iceland, “A White, White Day,” Hlynur Pálmason, director;


India, “Gully Boy,” Zoya Akhtar, director;


Indonesia, “Reminiscences of My Body,” Garin Nugroho, director;


Iran, “Finding Farideh,” Azadeh Moussavi, Kourosh Ataee, directors;


Ireland, “Gaza,” Garry Keane, Andrew McConnell, directors;


Israel, “Incitement,” Yaron Zilberman, director;


Italy, “The Traitor,” Marco Bellocchio, director;


Japan, “Weathering with You,” Makoto Shinkai, director;


Kazakhstan, “Kazakh Khanate. The Golden Throne,” Rustem Abdrashov, director;


Kenya, “Subira,” Ravneet Singh (Sippy) Chadha, director;


Kosovo, “Zana,” Antoneta Kastrati, director;


Kyrgyzstan, “Aurora,” Bekzat Pirmatov, director;


Latvia, “The Mover,” Davis Simanis, director;


Lebanon, “1982,” Oualid Mouaness, director;


Lithuania, “Bridges of Time,” Audrius Stonys, Kristine Briede, directors;


Luxembourg, “Tel Aviv on Fireplace,” Sameh Zoabi, director;


Malaysia, “M for Malaysia,” Dian Lee, Ineza Roussille, directors;


Mexico, “The Chambermaid,” Lila Avilés, director;


Mongolia, “The Steed,” Erdenebileg Ganbold, director;


Montenegro, “Neverending Past,” Andro Martinović, director;


Morocco, “Adam,” Maryam Touzani, director;


Nepal, “Bulbul,” Binod Paudel, director;


Netherlands, “Intuition,” Halina Reijn, director;


Nigeria, “Lionheart,” Genevieve Nnaji, director;


North Macedonia, “Honeyland,” Ljubo Stefanov, Tamara Kotevska, directors;


Norway, “Out Stealing Horses,” Hans Petter Moland, director;


Pakistan, “Laal Kabootar,” Kamal Khan, director;


Palestine, “It Need to Be Heaven,” Elia Suleiman, director;


Panama, “All americans Adjustments,” Arturo Montenegro, director;


Peru, “Retablo,” Alvaro Delgado Aparicio, director;


Philippines, “Verdict,” Raymund Ribay Gutierrez, director;


Poland, “Corpus Christi,” Jan Komasa, director;


Portugal, “The Area,” Tiago Guedes, director;


Romania, “The Whistlers,” Corneliu Porumboiu, director;


Russia, “Beanpole,” Kantemir Balagov, director;


Saudi Arabia, “The Ultimate Candidate,” Haifaa Al Mansour, director;


Senegal, “Atlantics,” Mati Diop, director;


Serbia, “King Petar the First,” Petar Ristovski, director;


Singapore, “A Land Imagined,” Yeo Siew Hua, director;


Slovakia, “Let There Be Gentle,” Marko Skop, director;


Slovenia, “History of Esteem,” Sonja Prosenc, director;


South Africa, “Knuckle Metropolis,” Jahmil X.T. Qubeka, director;


South Korea, “Parasite,” Bong Joon Ho, director;


Spain, “Trouble and Glory,” Pedro Almodóvar, director;


Sweden, “And Then We Danced,” Levan Akin, director;


Switzerland, “Wolkenbruch’s Wondrous Trip into the Arms of a Shiksa,” Michael Steiner, director;


Taiwan, “Pricey Ex,” Mag Hsu, Chih-Yen Hsu, directors;


Thailand, “Krasue: Inhuman Kiss,” Sitisiri Mongkolsiri, director;


Tunisia, “Pricey Son,” Mohamed Ben Attia, director;


Turkey, “Commitment Asli,” Semih Kaplanoglu, director;


Ukraine, “Homeward,” Nariman Aliev, director;


United Kingdom, “The Boy Who Harnessed the Wind,” Chiwetel Ejiofor, director;


Uruguay, “The Moneychanger,” Federico Veiroj, director;


Uzbekistan, “Hot Bread,” Umid Khamdamov, director;


Venezuela, “Being Very unlikely,” Patricia Ortega, director;


Vietnam, “Furie,” Le Van Kiet, director.